Finally, at the end of a very busy month, the new website is live!
For the past two weeks, venues around Birmingham have been buzzing with world premières, collaborations, and innovations from the students and staff of Birmingham Conservatoire, as well as special guests and international stars.
I was lucky enough to be involved in two of the concerts: a world première of 'Silence', for voice and chamber ensemble by Yfat Soul Zisso, in the Birmingham Museum and Art Gallery as part of the 'Vocal Marathon' day, as well as my own production of David Lang's 'the little match girl passion'.
This year's Frontiers focused on the use of technology in music, especially how the boundaries of electronic and acoustic music can intersect. It has been a such a joy and inspiration to see the results of exploration into experimental music, and certainly got a few of us talking about future projects!
You can read the full overview of the festival here!
For the past two weeks, venues around Birmingham have been buzzing with world premières, collaborations, and innovations from the students and staff of Birmingham Conservatoire, as well as special guests and international stars.
I was lucky enough to be involved in two of the concerts: a world première of 'Silence', for voice and chamber ensemble by Yfat Soul Zisso, in the Birmingham Museum and Art Gallery as part of the 'Vocal Marathon' day, as well as my own production of David Lang's 'the little match girl passion'.
This year's Frontiers focused on the use of technology in music, especially how the boundaries of electronic and acoustic music can intersect. It has been a such a joy and inspiration to see the results of exploration into experimental music, and certainly got a few of us talking about future projects!
You can read the full overview of the festival here!
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